Wednesday, February 17, 2016

Tomb of Cyrus the Great (Pāsārgād)

The most important monument in Pasargadae is the tomb of Cyrus the Great. It has six broad steps leading to the sepulchre, the chamber of which measures 3.17 m long by 2.11 m wide by 2.11 m high and has a low and narrow entrance. Though there is no firm evidence identifying the tomb as that of Cyrus, Greek historians tell that Alexander believed it was. When Alexander looted and destroyed Persepolis, he paid a visit to the tomb of Cyrus. Arrian, writing in the second century AD, recorded that Alexander commanded Aristobulus, one of his warriors, to enter the monument. Inside he found a golden bed, a table set with drinking vessels, a gold coffin, some ornaments studded with precious stones and an inscription on the tomb. No trace of any such inscription survives, and there is considerable disagreement to the exact wording of the text. Strabo reports that it read:
Passer-by, I am Cyrus, who gave the Persians an empire, and was king of Asia.
Grudge me not therefore this monument.
Another variation, as documented in Persia: The Immortal Kingdom, is:
O man, whoever thou art, from wheresoever thou cometh, for I know you shall come, I am Cyrus, who founded the empire of the Persians.
Grudge me not, therefore, this little earth that covers my body.
The design of Cyrus' tomb is credited to Mesopotamian or Elamite ziggurats, but the cella is usually attributed to Urartu tombs of an earlier period.[3] In particular, the tomb at Pasargadae has almost exactly the same dimensions as the tomb of Alyattes II, father of the Lydian King Croesus; however, some have refused the claim (according to Herodotus, Croesus was spared by Cyrus during the conquest of Lydia, and became a member of Cyrus' court). The main decoration on the tomb is a rosette design over the door within the gable.[4] In general, the art and architecture found at Pasargadae exemplified the Persian synthesis of various traditions, drawing on precedents from ElamBabylonAssyria, and ancient Egypt, with the addition of some Anatolian influences.

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